Even if one entered Olney Theatre Center’s Mulitz-Gudelsky Theatre Lab without knowing anything about George Brant’s taut play Grounded, the visuals already established will tip you off that you will be in for a tense, bumpy ride. Seated on a black swivel chair, motionless, is a slender woman in an olive drab flight suit (designed by Ivania Stack) before a group of imageless TV monitors except for gray wavy lines across the screens. The audience is eventually in place, the lights black out for a second, and then pow! #hocoarts
|Megan Anderson as The Pilot in Grounded. |
Photo: Clinton B Photography
The Pilot, the sole identity of the woman in the flight suit, springs to her feet from her chair and tells Brant’s poignant story of how we arrived at this point. Megan Anderson, who recently turned in a terrific performance in Rep Stage’s The Whale and is a resident actor at Everyman, delivers the punches like a brawny fighter making use of rapidly spoken, high-octane soliloquies, often employing combat stances and macho swagger, and energetically moving about the stage with a purpose in a tour de force that is as riveting as it is outstanding.
For full review, visit MD Theatre Guide.