Photos: Kirstine Christiansen |
Right on cue for the holidays,
Toby’s the Dinner Theatre of Columbia is presenting Miracle on 34th Street—not the black and white classic
Christmas movie from 1947 shown every
December on television but a live, sweet musical adaptation in living
color. Miracle on 34th Street, whose book, music and lyrics
were penned by Meredith Willson of The
Music Man and The Unsinkable Molly
Brown fame, debuted on Broadway in 1963 under the title Here’s Love.
No one will confuse the music in
Miracle with the richness of the
score in The Music Man or even recent
productions at Toby’s, such as Les Mis
and Fiddler as few of the numbers in
this one are memorable, save for “It’s Beginning to Look Like Christmas,” a
holiday favorite. But the strength of Miracle on 34th Street and
the reason people should buy tickets the sooner the better rests with its
charming and tender family-oriented storyline and the outstanding performances
by the cast as well as the work of creative team under the guidance of Director
Shawn Kettering and Musical Director Douglas
Lawler.
The holiday
atmospherics are certainly in place: Scenic Designer David A. Hopkins
constructed a nice Christmas-themed set with trees all around on walls and
other fine touches added to the ambience.
He employs several small video screens on the side of the theater to
show black and white footage of a Thanksgiving parade to coincide with the live
action of the show-opening parade on stage.
It worked well. The sleigh on wheels that Santa occupies is
gorgeous. And it wouldn’t be a Christmas
show without snow.
Set in New York City before and
after Thanksgiving in the late 1940s, the story focuses on a white-bearded man
named Kris Kringle (played superbly by Robert Biedermann125) who claims to be
the real Santa Claus. He brings about a
genuine “Miracle on 34th Street,” spreading good cheer and good will
among men throughout New York City, encouraging camaraderie between the arch-rival
department stores Macy’s and Gimbel’s, and convincing a divorced, cynical
single mother, Doris Walker (Heather Marie Beck), her daughter Susan Walker
(played on the night the show was reviewed by the too-cute-for-words Ella
Boodin) that Santa Claus is no myth.
Skeptics saw otherwise, and poor
Kris Kringle had to appear before a stern Judge (very well played by David
Bosley-Reynolds) at a hearing in New York State Supreme Court to determine if
he should be committed.
As these events unfold, Doris
finds her neighbor Fred Gaily (Jeffrey Shankle) an ex-Marine and inexperienced
lawyer who develops a father-daughter bond with Susan, falls for Doris and
eventually represents Kris Kringle at the hearing, leading to a lovely
conclusion.
Mr. Shankle clearly brought his “A-game”
to this production. In terrific tuneful
voice, he performs “My Wish,” with Ms. Beck and is simply stellar in his solo
“Look, Little Girl.” The veteran actor
portrays his role flawlessly and with ease, turning in a wonderful performance.Garnering the best ovation of the night was young Ella Boodin as Susan who alternates with Sadie Herman during the run. Never missing a line, never missing a cue, never missing a note or a step, adorable Ella,(who played young Cosette in Toby’s presentation of Les Misérables, showed the audience that she definitely has a bright future in musical theatre.
Not quite as young as Ella but
always excellent is Toby’s mainstay Lawrence B. Munsey as R.H. Macy, the owner
of the department store. Commanding on stage and with his strong baritone, Mr.
Munsey excels in “That Man Over There”—a highlight number during the courtroom
scene, which in itself, is a highlight in the show.
Mr. Munsey’s propensity to
master his role in a Toby’s musical is consistent and reliable, but he also
takes on other duties, such as costume designer and did so in Miracle. Authentic 1940’s suits and dresses as well
as Santa outfits were donned by the cast lending a realistic visual to this enchanting
production. As Doris, Heather Marie Beck was suitably cast and delivered a pretty solid performance. Her vocals were good in such numbers as “You Don’t Know” and “Love, Come Take Me Again.”
Veteran performer Robert John
Biedermann 125 excels as Kris Kringle.
He adroitly exhibits the sweetness and kindness that all children
believe Santa to be. Everybody rooted
for him.
Other notable cast members are
Darren McDonnell as Marvin Shellhammer and Will Emory as Mr. Sawyer. Also David James, David Little and Nick Lehan
performed very well.
In fact, the entire ensemble
including some little children chipped in with proficient singing, dancing and
acting. The number “Here’s Love” brought
out some dexterous footwork under the direction of choreographer Mark Minnick.
It is noteworthy that the charm
of the production is representative in many of the elements that are true to
the time period—from costumes to props including a 1940’s telephone. On the other hand, there was no attempt to
scrub the sexist language in the dialogue and song lyrics, such as the term
“little girl” as conveyed to an adult woman.
Some in the audience were taken aback.
The myriad scene changes had to
be executed swiftly especially in the in-the-round venue of Toby’s. Most of the time it works but on occasion
there is some overlapping between scenes, which could be a bit distracting. But that is a minor quibble.
As stated earlier, the music
does not leave one humming exiting the theater.
But the vocalists who performed them and Douglas Lawler’s six-piece
orchestra (Mr. Lawler rotates with Pamela Wilt) backing them up does justice to
the rather bland melodies.Miracle on 34th Street is highly recommended. Strong performances and attractive visuals plus a mighty charming story (and a great buffet) make this a seasonal must-see, which will be enjoyed by the young and the young at heart.
______________________
Running time: 2 hours and 45
minutes with an intermission.
Miracle on 34th Street runs through January 5, 2014 at Toby’s the Dinner
Theatre of Columbia, 4900 Symphony Woods Rd., Columbia, MD 21044. Tickets may be purchased by calling the box
office at 410-730-8311or visiting online.
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2 comments:
You're very right about the music; fairly forgettable. But Toby's always does a great job and their use of the space is very imaginative.
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