Part of 10 Hairy Legs company. Photo: Facebook |
When I first saw the term “10
Hairy Legs” I thought we were talking about a mutant spider. Then I learned it
is the name of an all-male, New Jersey-based repertory American modern dance
company that is in the midst of a 10-state national tour with an all-too-brief
stop at the Theatre Project in Baltimore. #hocoarts
Enchanted by the Winter Olympics
figure skating competition in the days leading up to the performance reviewed,
I envisioned that 10 Hairy Legs (10HL) would be a natural extension of the
artistry, gracefulness, poise, power and creativity displayed by Olympics skaters.
It was.
While the stage floor of the Theatre Project is not ice and the five good-looking, physically fit young dancers perform in bare feet as opposed to skates, the snowy, frosty night of 10HL’s Baltimore debut felt like it could have been PyeongChang.
While the stage floor of the Theatre Project is not ice and the five good-looking, physically fit young dancers perform in bare feet as opposed to skates, the snowy, frosty night of 10HL’s Baltimore debut felt like it could have been PyeongChang.
Part of 10 Hairy Legs company. Photo: Facebook |
First-rate choreographers David
Parker, Megan Williams, Hedi Lansky, Stephen Petronio and Doug Elkins are ingenious
in creating five separate selections each with its own identity, movements and
expression as well as utilizing their own specific costume designer. With the five men (not very hairy legs, but
so what?) displaying solid form, technique and precision, Exploring the
Artistry of the Male Dancer, overseen by veteran 10HL artistic director Randy
James, provides an entertaining glimpse into the breadth and inventiveness of
American modern dance.
Unlike classical ballet with its
specific positions, style and content, American modern dance contains more
unstructured, free-wheeling, improvisational movement that allows for an
unlimited amount of creativity. In fact, modern dance is often considered
to have emerged as a rejection of, or rebellion against classical ballet.
10HL’s opening number (and my
favorite) drives home the point. Aptly
titled “Slapstruck,” Derek Crescenti and Jared McAboy are stuck on each other
through black Velcro costumes and engage in slapstick combat with rhythmic moves
as they try to decouple from one another.
This terrifically comedic sequence absent of any music ends as they
manage to strip down to tee shirts and boxers to escape the Velcro connection.
Mr. Crescenti and Mr. McAboy then join Alex
Biegelson and Robert Mark Burke in “Quadrivium.” The quartet, displaying
proficient, fluid technique, splits up in pairs at times during the sequence engaging
in rhythmic moves and intricate lifts.
Alexander Olivieri beautifully
performs a short solo (“Solo1”) clad only in shorts. In this unique number, he uses mainly upper
body movements while his legs are basically stationary.
Part of 10 Hairy Legs company. Photo: Facebook |
To Rufus Wainwright’s “Oh What a
World,” Mr. Biegelson and Mr. Crescenti pair up in “Bud.” Dressed in black half-shirts
and bright red shorts, these dancers heat up the stage with a high level of sensuality
through a variety of superb moves both on the floor and through lifts and acrobatics.
The glorious finale, “Trouble Will Find
Me,” brings all five dancers in harem pants, performing to a mid-Eastern number
by Nusrat Fateh Ali Khan. This is
another freestyle selection in which the performers are entangled, set free,
leap, and roll around— all with precision.
10HL combines athleticism,
emotion, energy, technical mastery, ingenuity and range in a power-packed
one-hour performance. Unfortunately, there is only one more performance left in
this visit to Baltimore. Please check the group’s website to find out more about 10HL and where you could find them next. The show should not be missed.
Running time. Approximately one
hour with an intermission.
Advisory. Some dance sequences
contain sensual physical contact and may not be suitable for children under 12.