As you are aware, the moment we
pass Labor Day we are on a fast track to the Christmas season. The charming A Christmas Story, The Musical, now
playing at Toby’s, the Dinner Theatre of Columbia, ushers in the final leg of
this race to the magical date. #hocoarts
A Christmas Story,
however, is as much about nostalgia as it is about Christmas. Sure, there is
the hilarious Santa scene in a department store complete with elves and eager
kids plopping on Santa’s lap to share their hopes for presents. Yes, the story
centers on a nine year-old boy longing for a particular Christmas gift as if
his life depended on it. And, for good measure, there is the final scene at a Chinese
restaurant on Christmas Eve where the waitress sings a Christmas carol.
Yet, through dialogue and lyrics
contained in the musical, the picture of a simpler time, not necessarily
better, but definitely simpler, comes across loud and clear from the action
that takes place in Hohman, Indiana during December 1940. The central family of the show—the Parkers—is traditional
by those standards with the patriarchal father, a stay-at-home mother and two
small kids.
Venerable messages like don’t
run while holding scissors; never use a cuss word; a BB gun will shoot your eye
out; the notorious triple-dog-dare is the ultimate attempt to coerce someone to
do something involuntarily; and teachers imploring students to mind their
punctuation, conjugation and stay within the margins flow throughout the story.
This wonderfully staged,
well-cast and fast-paced production under the meticulous direction of Shawn
Kettering and choreographed so ably by Mark Minnick and Tina Marie Desimone is
a sparkling snow globe full of enchantment, sweetness, eye-watering humor, pleasing
songs and an abundance of talent to make your Christmas season bright. It couldn’t come at a better time.
Toby’s spared no expense in
providing a plethora of props and sizable set pieces to create the atmosphere
of Christmas season in 1940 Indiana. David A. Hopkins, who designed the
superbly effective lighting sequences, created a lovely set with lit painted
panels on the upper walls of the theater depicting neighborhood houses in the
winter and assorted Christmas lights and other decorations to augment the
ambiance.
Under Mr. Kettering’s direction,
the cast members efficiently moved these set pieces, such as living room
furniture, school classroom desks and even a car to seamlessly effect scene changes.
Despite the cozy nature of Toby’s in-the-round stage, this production played
large utilizing all available space including the upper level where the Parker
kids’ bedroom is located.
Adding to the technical success
of the production, Mark Smedley’s sound design is crystal clear, and A.T. Jones
designed perfectly classic period costumes. Nathan Scavilla conducted the able
six-piece orchestra directed by Ross Scott Rawlings.
Based on the 1983 movie A Christmas Story, the musical adaptation, which premiered on
Broadway in 2012, earned several Tony, Drama Desk and Outer Circle nominations. The duo of Benj Pasek and Justin Paul crafted
the music and lyrics, and the book was penned by Joseph Robinette based on the
writings of radio humorist Jean Shepherd as well as the film.
The story of young Ralphie
Parker’s determined quest to receive the only gift he wants—an official Red
Ryder BB gun—is as endearing as it is comical. This zany saga is packed with
mishaps, disappointments, and fulfillment throughout.
You have this tawdry lady’s leg
lamp that was won by Ralphie’s father (The Old Man, played by Jeffrey Shankle)
in a contest, which he is so proud and protecting of but Ralphie’s Mother
(Heather Beck) deplores. You have
bullies, who if they push the right buttons, can be beaten up themselves. There
are flying lug nuts and a wayward cuss word that results in a bar of soap
snack. You have neighbors’ hounds
running amok through the Parkers’ yard and house and devouring their Christmas
turkey.
"...a sparkling snow globe full of enchantment...to make your Christmas season bright."
There is a cranky and
increasingly intoxicated Santa (Russell Sunday) who frightens the children more
than giving them Christmas joy. A
down-to-earth teacher (Jessica Bennett) breaks out of character to perform a
stunning dance number in a glitzy red gown. You have a tongue freezing on a flagpole
incident resulting from the dreaded triple-dog-dare.
Regardless of who Ralphie
encounters to lobby for this special rifle, whether it is his mother; his old
man, his teacher Miss Shields, even Santa, Ralphie is told one thing: “You’ll
shoot your eye out.”
David Bosley-Reynolds does a
truly splendid job as the now deep voice of Jean Shepherd, narrating the often
hilarious story in the first person as a grown-up Ralphie with an onstage,
non-intrusive presence throughout the production. He recalls and shares the younger Ralphie’s
thoughts as the boy navigates through each caper. His closing soliloquy about
love is touching. This is a terrific device and makes the show click.
As the central character,
bespectacled Ralphie, played by Evan Christy for the performance this
production was reviewed, performs proficiently with his acting and comedic
skills, timing very strong vocals and dancing.
He is particularly adept in one of the show’s highlight production
numbers, the frenetic “Ralphie to the Rescue!” whereby he imagines he’s a
cowboy using his rifle to thwart bank robbers and assorted other scoundrels.
The remainder of his family unit
is also appealing exuding its Midwestern charm.
Jeffrey Shankle as The Old Man is spot-on and delivers an outstanding
performance as he always does in Toby’s productions. The father is strict with his children and
cursing is verboten (except when he does it).
A hardworking man who exasperatingly receives bills on a daily basis and
struggles with the house’s furnace and his Olds, he found a degree of
satisfaction and solace in winning that lady’s leg lamp. Gruff as he may be at times, you still root
for him, thanks to the performance of Mr. Shankle.
His best songs are “The Genius
on Cleveland Street,” a duet with Heather Beck and “A Major Award,” a
phenomenal dance number that evolves into a clever can-can with he and the
ensemble dancing with lady legs lamps.
Heather Beck as Ralphie’s sweet
mother is the perfect counterpoint for her husband. She is the sensible one of the two and
protective of her children. Ms. Beck’s rendition
of “What a Mother Does” is moving with her gorgeous voice in typically great
form.
For this performance, Sonny Huza
adorably plays Ralphie’s timid younger brother Randy who is averse to eating
unless he mimics a pig at a trough. He, too, performs admirably in several of the
dance sequences.
Jessica Bennett in the role of
the teacher Miss Shields shines, and other youngsters in the ensemble are
flawless tap dancers in “You’ll Shoot You’re Eyes Out.”
About those kids. The young
performers who appeared in this production are outstanding and offer a glimpse
into their potential in musical theatre. I have no doubt that the alternative bunch
will be as skillful. One of the numbers in which they excel is the one I can
identify with most, “When You’re a Wimp.”
A special shout-out goes to Jack
Patterson who plays the town bully Scut Farkas for his acting abilities and
stage presence. But he also shines as a solid tap dancer in that “You’ll Shoot
Your Eyes Out” number earning thunderous applause from the audience. His future in musical theatre, should he
pursue it, looks very bright.
Other members of the talented
cast and ensemble for this performance include: Nia Savoy, Justin Calhoun, Coby
Kay Callahan, Sylvern Groomes, Jr., A.J. Whittenberger, David James, Gavin
Lapasone, Cato Huza, Sadie Herman, Mira Cohen, Samaira Hammond, Katherine Ford,
Cooper Trump, Santina Maiolatesi, Patricia Targete and Morganne Chu.
Those not in this reviewed performance
include: John Poncy, Jezrael Agbor, Patrick Ford, Erin Cobbler, Jaxon Keller,
Carly Greaver, Jonathan Mackrell, Sophia Manicone and James LaManna.
A Christmas Story, The Musical is a production that runs on all cylinders. It has all the elements needed to bring
holiday cheer and pure enjoyment and a nostalgic glimpse into the past with its
talented cast and crew under masterful direction.
So the question you may ask,
what’s so great about a show about a kid desiring a BB-gun for Christmas? The answer: everything. Tickets to this show would make an even
better Christmas present without the risk of shooting your eye out.
Running time: Two hours and 30
minutes with an intermission.
A Christmas Story, The Musical runs through January 5 at Toby’s, the Dinner Theatre of
Columbia, 4900 Symphony Woods Rd., Columbia, MD 21044. Tickets may be purchased by calling the box
office at 410-730-8311 or visiting online.
Photos: Jeri Tidwell Photography
Photos: Jeri Tidwell Photography
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