When a mob of unidentified
mercenaries were recently unleashed on the citizens of Portland, Ore., it was
reminiscent of the anti-war clashes during the Vietnam War era. Then as now,
with many employing strong-arm tactics, military and law enforcement combatants
attacked and arrested scores of peaceful unarmed protesters.
Amid the chaos of these demonstrations
back in the day, a 17 year-old girl was photographed handing a chrysanthemum to
a soldier with a menacing bayonet affixed to his rifle during a tense scene outside
the Pentagon in 1967. This iconic photo taken by Marc Riboud was of Janrose
Kasmir, and this image along with others became symbols of the burgeoning peace
movement during the Vietnam War.
In a remarkably candid
autobiography, The Girl With The Flower: The
Journey is the Trip, Kasmir reveals details about her life that most people
would be loathe to share especially in a published work. With graphic and
sometimes raw details, Kasmir opens up about her personal struggles that have consumed
much of her existence and her late-in-life determination to put those demons to
rest.
The book cover and title might
suggest that this monumental photograph is the centerpiece of her journey. Yet, the book is less about the peace movement
during that tumultuous period than Kasmir’s seemingly futile search to find her
own inner peace. Nonetheless, her story includes
her clear opposition to our involvement in Vietnam and her joining the hippie
movement to express her views.
Kasmir was inspired by then
leader of the Black Panther Party, Eldridge Cleaver, whom she regarded as a hero.
Quoting him, “You either have to be part of the solution, or you’re going to be
part of the problem.” She declared that this sentiment has guided her since the
1960s.
While that aspect of her life is
not the dominant feature of the book, because of the historic significance of
that famous photograph, I have included an excerpt in which Kasmir describes
the event at the conclusion of this review.
The struggles of young Janrose Kasmir
took off after the tragic and unexpected death of her sister and the eventual
disintegration of her family. From her middle-class Jewish upbringing in Silver
Spring, Md., a suburb of Washington, D.C., Kasmir fought and lost many of her battles.
She plunged into depression and drug addiction as well as multiple suicide
attempts. Her behavior became more challenging and unacceptable to the adults
in her life. She let them down, they let her down. As she put it, her “life was
a fucked-up mess.”
Rebellious to the core, Janrose
ran away from home on a number of occasions. She was sent to psychiatric
institutions and then was in and out of foster families, which rarely worked
out for her. Kasmir engaged in a considerable amount of sexual activity that
led in some cases to more drug abuse and heroin addiction. She was hardly
satisfied romantically adding more to her loneliness and despair. Ultimately,
her lack of self-esteem brought on bulimia that plagued her for years.
While the reader will
instinctively root for her as her life is peeled back through intensely dark episodes,
Kasmir made a number of poor choices along her journey. In one case, she agreed
to be blindfolded by two drug pushers in Washington, D.C. and was led on foot
to their rooming house. There she was repeatedly raped, which understandably made
her terrified of and adverse to male sexual aggression forever.
In another instance, at the age
of 25 Kasmir married a man she had first met at a bar because she
believed she
was supposed to get married at that point in her life. She didn’t love him, and
on her honeymoon at a ski lodge in Quebec, not only did she avoid consummating the
marriage during the honeymoon, but she cheated on her husband with two different
guys.
The author with daughter Lisa. Photo courtesy of Janrose Kasmir |
When you think that Kasmir may
have turned a corner, you’re hit with another gut punch adding another layer to
the struggle.
So gripping is this
extraordinary journey that the book is a fast read. Kasmir relates these episodes
in a well-written matter-of-fact style, often sprinkled with salty language,
which allows the reader to feel the pain and suffering she had to endure, some
of it self-inflicted.
She follows a guiding principle
of good writing: write as if you are speaking to the audience, and she speaks
it loud and clear. Her recollection of
details appears authentic, and when she couldn’t remember specific things, she
admits it, adding to her credibility.
The vast majority of the book is
devoted to her journey as a young person. Her later years are covered by the
final few chapters when her career as a massage therapist, her settling in at
Hilton Head, S.C. and the birth and raising of her daughter Lisa as a single
mom. Such ferocious turmoil through those early years has led to a more
tranquil and stable existence.
The Girl With The Flower is an excellent chronicle of a person dealing with a
turbulent life during turbulent times. The
flower young Janrose handed to that National Guardsman outside the Pentagon represented
the calm before the storm that followed.
____________
____________
Behind the Photograph
Janrose Kasmir: While I was holding the flower and looking
at the soldiers, focusing on their young faces, in an instant it dawned on me.
The rhetoric of the war machine and the baby killers completely melted away and
suddenly I realized that these soldiers were just young boys. They could’ve
been my brother, my cousin, my date. Sorrow swept right through me and I
started to pity them. I held out the chrysanthemum in front of me. I held it
with both hands, almost like a gesture of prayer. I became so very, very sad.
These boys were just as much victims of this whole mess as anyone else. I
became one with the soldiers. It was a moment of simpatico. At that very moment
Marc Riboud’s camera clicked and I became a part of history. It was 21 October
1967.
That shot was the last shot of the last
roll of film with the last light of the day and then it was all over as
darkness rolled in and we all drifted away.
The Girl With The Flower: The Journey is the Trip; Janrose Kasmir; Fortis Publishing; 2020; Paperback; 271 pages; $12.50 (Amazon); also available on Kindle ($8.99).
1 comment:
Absolutely stunning review, having read the book, you sum it up perfectly.
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