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Wednesday, November 29, 2017

Toby’s Brings Back a Delightful ‘Miracle’

Photo: Jeri Tidwell Photography
Forget the Macy’s Thanksgiving Parade, turkey leftovers, and Black Friday. The holiday season doesn’t officially kick off locally until Toby’s the Dinner Theatre of Columbia presents a Christmas musical to put theatre-goers in the right frame of mind.  Believing in miracles doesn’t hurt either.

In Miracle on 34th Street: The Musical, their current dose of holiday cheer, Toby’s brings back the successful show from four years ago with most of the talented cast (except for the children) reprising their original roles, not to mention the fact that Director Shawn Kettering and the technical crew return as well. Therefore, they should all be well-rehearsed, and they are. 
Miracle on 34th Street—not the black and white classic Christmas movie from 1947 presented every December on television but a live musical adaptation—plays nicely on Toby’s in-the-round stage.  The book, music and lyrics were penned by Meredith Willson of The Music Man and The Unsinkable Molly Brown fame, debuted on Broadway in 1963 under the title Here’s Love. #hocoarts

No one will compare the music in Miracle on 34th Street with the rich score of The Music Man or many other successful Broadway musicals as few of the numbers in this one are memorable, save for the popular 1951 tune “It’s Beginning to Look a Lot Like Christmas.”  Moreover, the first act contains a few dull moments and some quirky songs like “Plastic Alligator.” Fortunately, the drama, tempo and pacing pick up noticeably in the second act with the courtroom scene as most enjoyable.

The strength of Miracle on 34th Street and the reason people should buy tickets the sooner the better rests with its charming and tender family-oriented storyline and the outstanding performances by the cast as well as the work of creative team under the deft guidance of Mr. Kettering, the imaginative choreography of Helen Hayes Award winner Mark Minnick, and musical direction of Douglas Lawler.

Holiday atmospherics are in place but I prefer to have seen more festive decorations to add to the Christmas flavor. Scenic Designer David A. Hopkins constructed the set, which features a few street lamps on the stage, the entrance to an apartment on a balcony, and views of the New York City skyline shown on panels surrounding the walls of the theater.  

However, what makes the visuals appealing is the seemingly limitless number of set pieces and props employed throughout the show, which add texture to the scenery.  The sleigh on wheels that Santa occupies, for example, is gorgeous, and it wouldn’t be a Christmas show without a little snow.  Lynn Joslin’s spot-on lighting design is critical in the myriad seamless scene changes.

Lawrence B. Munsey designed the authentic 1940’s suits and dresses as well as Santa outfits and other novelty garb thereby lending a realistic feel to this enchanting production.

Set in New York City before and after Thanksgiving in the late 1940s, the story focuses on a white-bearded man named Kris Kringle (played convincingly by Robert Biedermann 125) who claims to be the real Santa Claus.  He brings about a genuine “Miracle on 34th Street,” spreading good cheer and good will among men throughout New York City; encouraging camaraderie between the arch-rival department stores Macy’s and Gimbel’s; and convincing a divorced, cynical single mother, Doris Walker (Heather Marie Beck), her daughter Susan Walker (played on the night the show was reviewed by young Camden Lippert) that Santa Claus is no myth.

"Strong performances plus a delightful feel-good story (and a scrumptious buffet) make this a seasonal must-see..."

Skeptics saw otherwise, and poor Kris Kringle had to appear before a stern Judge (very well played by David Bosley-Reynolds) at a hearing in New York State Supreme Court to determine if he should be committed to Bellevue Hospital.

As these events unfold, Doris finds her neighbor Fred Gaily (Jeffrey Shankle) an ex-Marine and inexperienced lawyer who develops a father-daughter bond with Susan, falls for Doris and eventually represents Kris Kringle at the hearing, leading to a lovely conclusion.

Mr. Minnick’s choreography is most effective especially when there is a large group on the stage as in such numbers as “Plastic Alligator,” “Toy Ballet,” “My State, My Kansas,” and “That Man Over There” whereby he makes full use of the limited space by devising clever dance steps, plenty of motion and ensuring the dancers are in sync rhythmically.

Jeffrey Shankle, as he often does, delivers a polished, near-flawless performance.  In tuneful voice, he sings “My Wish,” with Ms. Beck and is simply stellar in his solo “Look, Little Girl.” 

Camden Lippert, as Susan, alternates with Lillianna Robinson during the run.  Never missing a line, never missing a cue, never missing a note or a step, Camden demonstrates strong potential in musical theatre. She already has experience under her belt having appeared in Toby’s presentation of Ragtime among other credits.

Russell Sunday plays R.H. Macy, the strict owner of the department store bearing his name. Commanding on stage and with his strong baritone, Mr. Sunday excels in “That Man Over There”—a highlight number during the courtroom scene, which in itself, is a highlight in the show. 

Photo: Jeri Tidwell Photography
As Doris, Heather Marie Beck was well cast and delivers a solid performance.  The part requires proficient acting skills, and Ms. Beck delivers on that front particularly in her confrontations with the characters Susan and Fred.  She exhibits strong vocals in such numbers as “You Don’t Know” and “Love, Come Take Me Again” and the warm duet with Camden, “Arm in Arm.”

Veteran performer Robert John Biedermann excels as Kris Kringle.  He adroitly conveys the sweetness and kindness that all children believe Santa to be.  Everybody roots for him. 

David Bosley-Reynolds hits the mark as Judge Martin Group, delivering well-timed comedic lines. Other notable cast members are Tommy Malek as Marvin Shellhammer whose facial expressions and comedic rejoinders are golden; David Jennings as Mr. Sawyer who also showcases his comedic skills; and Justin Calhoun is particularly strong as the prosecutor Thomas Mara. 

A number of the other performers are called on to play one or more roles as well as being part of the ensemble and do so splendidly.  They include David James, AJ Whittenberger, DeCarlo Raspberry, Tina Marie DeSimone, MaryKate Brouillet, Santina Maiolatesi, Coby Kay Callahan, and Amanda Jillian Kaplan.

The Young Actor Ensemble for this reviewed performance includes: Lily Ulman, Jackson Smith, Hannah Dash, and Jonah Hale.  They all chip in with sturdy singing, dancing and acting.   
It is notable that many of the elements from costumes to props are true to the time period.  On the other hand, there is no attempt to scrub the sexist language in the dialogue and song lyrics, such as the term “little girl” as conveyed to an adult woman. 

As I mentioned earlier, the music does not leave one humming exiting the theater.  But the vocalists who performed the songs and Pamela Wilt’s six-piece orchestra backing them up (Ms. Wilt rotates with Douglas Lawler) does justice to the rather bland melodies.

Strong performances plus a delightful feel-good story (and a scrumptious buffet) make this a seasonal must-see, which will be enjoyed by the young and the young at heart, especially if you believe in miracles.

Running time: Two hours and 30 minutes with an intermission.

Miracle on 34th Street runs through January 7, 2018 at Toby’s the Dinner Theatre of Columbia, 4900 Symphony Woods Rd., Columbia, MD 21044.  Tickets may be purchased by calling the box office at 410-730-8311 or visiting online

Saturday, November 25, 2017

A Way Out for Trump

Image: Daily Kos
Let’s stipulate that Special Counsel Robert Mueller’s investigation into President Donald Trump and/or his campaign successfully confirms that they cooperated with Russian officials to influence the 2016 election. A complex labyrinth of contacts with the Russians, documents, witnesses, emails, plea bargaining by key Trump campaign operatives, and other evidence make it an air-tight case that could lead to indictments for criminal wrongdoing.

This is not limited to colluding and conspiring with the Russians.  Trump’s past business dealings and possible money laundering with shady players including Russian oligarchs and Mafia-connected characters could bring criminal charges.  #hocopolitics

The powerful Mueller team is slowly tightening the screws on Trump and his family as key witnesses, such as Gen. Michael Flynn and George Papadopoulos are ready to flip in the investigation if they haven’t already. It is not looking good for President Trump, Donald, Jr., Jared Kushner, and others close to the top.

As the day of reckoning approaches (and that can be over a year away given the complexity of the investigation), Trump must move out of his state of denial and face reality.  Of course, he can have the acting Attorney General fire Mueller and consequently end the investigation before the findings are revealed.  The backlash from the country’s citizens would be so fierce and potent that even a Republican-led Congress would move to impeach the President for obstruction of justice, which such a firing would certainly be.

Image: Salon.com
If the findings by Mueller are damning as I expect them to be, articles of impeachments will be filed and should the Democrats re-take the House in 2018 as is quite possible given today’s political environment, Congress will almost certainly proceed.

There is a way out for Trump, though unlikely, given his ego, propensity for lying, and pride, and that is a mea culpa prior to Mueller’s release of the investigation’s findings.  What Trump values most is not his presidency but his brand, his business, and his family.  Clearly all would take a hit should he come clean and admit wrongdoing, but he and/or family members and top associates could avoid prison time.  It’s a long shot, but here goes.

Trump addresses the nation from whichever White House he calls home (where the TV ratings would be huuuge—another incentive for him) and could say the following:

My Fellow Americans,

As you know I have been the subject of a long, tedious and expensive investigation. This is contrary to what I’ve been told all along that I was not under investigation.  I come before you to announce that my attorneys have been in negotiations with Special Counsel Robert Mueller for some time in an attempt to spare the country from this distraction, which prevents us from moving forward with our agenda to make America great again for which the people elected me to implement. Accordingly, we have made a deal.

Before I discuss that, I want to admit that members of my campaign staff and with my approval indeed cooperated with Russian representatives to obtain information on Hillary Clinton to damage her during the election.  This was accomplished by hacking into various emails to get compromising information. 

In addition, I was aware that Russia was using social media to spread damaging fake news about her in the hope that Democrats already bitter from the primaries would either stay home or vote for me.  Several states that voted for Barack Obama wound up voting for me and that gave me the Electoral College victory.  They included Florida, North Carolina, Pennsylvania, Wisconsin and Michigan.

Here’s the thing:  I didn’t expect the Russian involvement to turn into such a big deal.  Early on, members of my campaign were approached by Russian officials to play mischief with Hillary.  No one expected me to win. 

I shouldn’t have won the Republican nomination against a field of experienced politicians but I did so.  There was no way I should have defeated Hillary with the big Democratic machine behind her with money and organization and everything else in her favor. 

So we accepted the Russian help as a lark, figuring, what the hell; I’m not going to win anyway and would have some fun trying.  Once we got involved with them, it grew out of control.  I eventually won and it surprised me.  I kept denying the collusion and I apologize for my misleading statements.

As a result of the agreement with Mr. Mueller and his team, I will step down as President of the United States effective tomorrow and plead guilty to an array of charges including obstruction of justice that I will not go into at this time.  Mr. Mueller agreed to drop any further legal action against me and my family.

I am sorry for any inconvenience and your loss of trust in me from this activity but it is best for the country that I take this action now. Please give Vice President Mike Pence your fullest support when he assumes the presidency.

God bless you and the United States of America.

This is not a likely scenario to say the least given Trump’s aversion to admitting anything but it does give him a way out.  Democrats would be ecstatic.  Republicans would be relieved. The world would rejoice.  And Trump can go back to the thing he loves more than anything—his never ending quest to make lots of money. 

Saturday, November 18, 2017

A Timeless and Timely Optimistic 'Annie' Comes to Olney

Noelle Robinson as Annie and Kevin McAllister as Oliver Warbucks
Photo: Stan Barouh
As we edge into the holiday season, a heartwarming production of Annie has made its way to the Olney Theatre Center, and the timing is perfect.  Many people aren’t too optimistic this year on several levels, but Annie brings what the doctor ordered: a dose of much needed sanguinity and a two and a half hour escape from the real world.     #hocoarts

To his credit, Director Jason King Jones’ iteration on Olney’s Main Stage stays mainly true to the beloved musical—considered one of the all-time most popular Broadway productions internationally and in the U.S.  Mr. Jones, who helmed Mary Poppins last year at Olney, skillfully guides a wonderfully talented cast and crew in this joyful, smoothly presented production.

The forty year-old, seven-time Tony Award winning classic is based upon the popular Harold Gray comic strip “Little Orphan Annie,” with music by Charles Strouse, lyrics by Martin Charnin, and book by Thomas Meehan. The story centers on a plucky, adorable 11 year-old girl, Annie, brimming with contagious optimism, whose parents dropped her off at an orphanage in New York City. 

From that venue during the depths of  the Depression, Annie's shining personality and upbeat demeanor ticks off the orphanage’s matron, the cruel Miss Hannigan, and ultimately wins over the heart of billionaire factory mogul Oliver Warbucks (and just about everyone else including President Franklin D. Roosevelt) while trying to find her parents whom she believes are still alive.

A terrific score highlights the musical with the iconic “Tomorrow” leading the way.  Other songs, such as “It’s the Hard Knock Life,” “N.Y.C.,” “Easy Street,” “Maybe” and “Something Was Missing” are also solid.  Led by Musical Director Jay Crowder, Christopher Youstra’s nine-piece orchestra proficiently supports the vocals.

Photo: Stan Barouh
Rachel Leigh Dolan choreographed with precision, and such numbers as “Little Girls,” “I Think I’m Gonna Like it Here,” “N.Y.C.” “Easy Street” and “You’re Never Fully Dressed Without a Smile” are meticulously executed by the talented leads and ensemble.

Young Noelle Robinson, whom local theatre-goers may remember as endearing Lil Inez in Hairspray at Toby’s Dinner Theatre earning her a Helen Hayes Award nomination, hits it out of the park in the title role.  At a young age, her already skilled acting prowess and dancing skills are clearly on display. 

Yet, it is Ms. Robinson’s vocals that amaze.  Her powerful rendition of “Tomorrow” brings goose bumps as she flawlessly hits each note dead on.  She also soars in the moving ballad “Maybe.”

As billionaire Oliver Warbucks, who is so powerful that he can casually drop in on the President and summon the FBI to find Annie’s parents, Kevin McAllister couldn’t be better.  Using his potent acting abilities, Mr. McAllister, a 2016 Helen Hayes Award winner in Ford Theatre’s Ragtime, perfectly plays the stiff, cold, demanding tycoon in need of adopting Annie to soften his thick-skinned image.

Mr. McAllister’s opera-quality baritone is simply magnificent and shines particularly in the tear-inducing “Something Was Missing” where he tells Annie how much he loves her.

Rachel Zampelli, a seasoned performer who is well-known in DC-area theatre from portraying Eva in Evita at Olney, romps through her role as the villainous Miss Hannigan.  When the matron of the orphanage is not berating the children and forces them to tell her they love her, she is hitting the bottle and hits on just about any male who comes to the door.  She teases the children by telling them “no hot mush today” to which they cheer and celebrate only to find out she will be serving cold mush instead.  You get the picture.

Ms. Zampelli’s comedic skills are showcased with impeccable timing, facial expressions and body language throughout.  Her clear soprano voice also scores high marks in “Little Girls” and a reprise of “Easy Street” with Wilson Jermaine Heredia as Rooster, Miss Hannigan’s brother, and Dani Stoller as Lily, Rooster’s “hen” you can say.

Dani Stoller, Wilson Jermaine Heredia and Rachel Zampelli
Photo: Stan Barouh
Mr. Heredia, a 1996 Tony Award winner as well as the recipient of other honors for his role as Angel in Rent, is effective as the conniving Rooster, a small-time crook and ex-con. He along with Lily devises a plan to swindle Warbucks’ $50,000 reward by impersonating Annie’s parents, but to no avail.  The trio’s work in the number “Easy Street” is sterling.

Lovely Patricia Hurley does a fine job as Grace Farrell, Warbucks’ devoted secretary who had taken an immediate liking to Annie. Her vocals shine in “Annie” and in the group number “I Don’t Need Anything But You.”

Other standouts in the large cast include Karl Kippola as Warbucks’ butler Drake; Rob McQuay as FDR; Alan Naylor as Bert Healy, a radio announcer who broadcast Annie’s search for her parents; and Emily Madden, Julia Lancione and Ashleigh King as the Boylan Sisters who appear on Healy’s radio show.

The remainder of the cast is outstanding and in particular, the young girls who play Annie’s orphan friends on a rotating basis.  And let’s not forget the trained pooch which plays Sandy, also alternately.

The entire ensemble is attired in exceptional period costumes designed by Seth M. Gilbert. Daniel Ettinger’s scenic design is well constructed with drop-down scenery and moveable set pieces seamlessly transforming the multitude of scene changes to include a dingy, Depression-produced “Hoovertown” locale, to Warbucks’ great room in his mansion, to the Oval Office in the White House. 

Sarah Tundermann’s lighting design and Roc Lee’s sound design cap off a terrific effort by the technical crew.

Annie hasn’t lost her magic over the past 40 years.  The timeless feel-good story with memorable music and choreography couldn’t come at a better time.  Under Jason King Jones’ direction, the exceptional cast and crew at Olney did justice to the classic Broadway smash.  Annie should not be missed.  

Get your tickets—tomorrow.  Bet your bottom dollar you’ll enjoy it.

Running time. Two hours and 30 minutes with an intermission.

Annie runs through December 31 at the Olney Theatre Center, 2001 Olney-Sandy Spring Road, Olney, MD 20832. Tickets may be purchased by calling 301-924-3400 or by visiting online .

Thursday, November 16, 2017

Hold off on Impeachment

The latest attempt is ill-timed and ill-advised.

Six Democrats on November 15 signed a resolution to introduce five articles of impeachment against President Donald Trump. According to Politico, They “charge that Trump obstructed justice when he fired FBI Director James Comey; that he has violated the Constitution’s emoluments clause by continuing to frequent and profit from his businesses; and that he has undermined the federal judiciary and freedom of the press.”  #hocopolitics

A Republican House Judiciary Committee aide said in response, “Under the Constitution, impeachment is an extraordinary remedy to remove certain elected officials from office who have committed high crimes and misdemeanors. It’s the policy of the committee to consider impeachment articles if and when the constitutional criteria for impeachment exist.”

For those Democrats, this may have been a cathartic move for their constituents or the 40 percent of the country that would want to see the president impeached. 

Moreover, California billionaire and Democratic mega-donor Tom Steyer has launched an impeachment drive and is demanding that every Democratic candidate make impeachment the centerpiece of their 2018 campaign.

Trump “is a threat to the American people,” Steyer said last week in an interview with ABC News. “Why aren’t people willing to stand up and say that? I don't understand it.”

Democratic leadership has put the kibosh on that. “I’m not making [impeachment] a priority,” Pelosi told LA Times columnist Doyle McManus last week. “If you're going to go down the impeachment path, you have to know you can do it not in a partisan way.”

Democrats may want an impeachment effort to go forward but independents aren’t on board yet.  A Politico/Morning Consult Poll this month found that although 40 percent of voters believe the House should begin impeachment proceedings, 49 percent disagree.

While many in the country see Trump as unfit for office and a national embarrassment—his mental instability, incessant lying, lack of intellectual grasp of policy, unqualified appointments to the cabinet and judiciary, the nepotism in the administration, his affection for world despots especially Russian president Putin, his unhinged obsessions with Hillary Clinton and Barack Obama, and, of course, his childish and his reckless tweets—the impeachment process must meet a high standard, and proponents of impeachment should systematically try to gain bi-partisan support for it to work. Pelosi is correct.

Democrats do not control either body of Congress, and while most Democrats and a good number of Republicans would prefer that Trump not remain in office, nothing will come of an impeachment effort now.  To be sure, Republicans are terrified of ticking off Trump’s base and would like nothing more than to avoid a Bannon-led primary to unseat them. Therefore, you can’t count on them.

If Democrats make impeachment the focus of their 2018 campaigns without offering a positive rationale for voters to support their own candidacies, all they will accomplish is bringing out the Trumpsters to the polls in droves as their loyalty to him though faltering slightly is still strong. It would accurately appear as a politically partisan effort.  This would compromise the Dems’ efforts to regain control of the House, if not the Senate.

The dilemma of whether to impeach or not to impeach should find a solution with the Robert Mueller probe into Russian meddling in the 2016 election, possible collusion with the Trump campaign to aid that effort, and obstruction of justice among other criminal charges to Trump’s associates and even his family members if not the president himself.

Mr. Mueller, one of the most highly respected (and feared) prosecutors in the country, is methodically building a case so strong that it will shake the world.  When the findings are revealed—and they will be damning—only then will bi-partisan impeachment and conviction by two-thirds of the Senate be probable because the country will demand it. 

Of course, if Trump finds a way to fire Mueller beforehand, that is an impeachable offense in its own right.

Friday, November 10, 2017

Frederick Commemorates Transgender Day of Remembrance

The Frederick Center, its Trans and Gender Nonbinary Group, and Hood College present the 2nd annual Frederick Transgender Day of Remembrance (TDOR) on Monday, November 20 at 7 pm in the Marx Center of Hood College (401 Rosemont Avenue). 

We remember those taken from us by anti-transgender violence and transphobia through murder and suicide – centering the experiences of trans women of color, who continue to be targeted in our community and country as well as around the world.

Transgender and gender non-binary community members come together with the greater LGBTQ community, allies, civic leaders, Hood College students and staff, and loved ones and neighbors to share our grief and anger, appreciate the lives and gifts of those lost, highlight the legacy of transgender people, and commit to work towards trans-inclusive social justice. 
The names of transgender people lost in 2017 to an epidemic of violence at home and abroad will be a focus of the observance.

This is the second Transgender Day of Remembrance event in Frederick organized and led by the transgender community. Following the July 26 reinstatement of the ban on transgender soldiers in the U.S. military and record numbers of murdered trans people for the fourth year running, it is imperative that we gather and support this marginalized people.

This event, celebrated internationally, is a critical expression of concern about increasing levels of anti-trans violence as we work for a world free of hatred and brutality. “In Houston, Missouri, a transgender teen was brutally killed and defaced. She was further erased by both local and national media, who identified her with a male name and pronoun,” says Marcia Simpson, a local community leader and member of the planning committee. 

“We are going to say her name, Ally Steinfeld, and talk about the need to understand and support work committed to ending ignorance and anti-trans violence.”

The event is free, but donations are welcome and will support local trans resources. Wheelchair accessible. More information is available online at twitter account @FredTDoR, please use hashtag #FredTDoR for all social media mentions. 

The announcement flyer appears on Facebook

In November 1998, the murders of trans women Chanel Pickett and Rita Hester in Boston MA inspired a local candlelight vigil and the creation of the international Trans Day of Remembrance, now observed in dozens of countries and hundreds of cities – more here.

The Frederick Center was founded in 2012 with the vision of being the leading organization for LGBTQ resources and advocacy in central Maryland. It mission is to support, educate, link, organize, and provide outreach to the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) community and its allies. 

Contact The Frederick Center at: TheFrederickcenter.org; tfc@thefrederickcenter.org;
facebook.com/TheFrederickCenter; facebook.com/TheFrederickCenterYouth; The Frederick Center, PO Box 3231, Frederick, MD 21705-3231.

Thursday, November 09, 2017

A Ray of Sunshine Through the Clouds

Victories by trans candidates at the ballot box add visibility, fuel optimism.

Victorious Danica Roem
As the Baltimore transgender communities and allies ready for the Transgender March of Resilience on November 20, their spirits have been buoyed by the election results on November 7 of no less than seven transgender individuals around the country.

On this historic night, a significant number of LGBTQ candidates, women, and people of color were elected to office. Among them was Tyler Titus, an out transgender man and father of two who was elected to school board in Western Pennsylvania. Jenny Durkan became the first lesbian mayor of Seattle, and in Minneapolis, Andrea Jenkins became the first out trans person of color to be elected to a major U.S. city’s council.

In the high profile Virginia’s 13th District race, openly transgender Danica Roem (D-Prince William) ousted a 13-term incumbent and self-described homophobe and transphobic author of Virginia’s North Carolina-style anti-trans bathroom bill, Bob Marshall.  That result provided satisfaction to progressives as the match was seen by many as good vs. evil.  However, Roem did not run on the issue of transgender rights; in fact, she connected to and won over voters by advancing her policies on such bread and butter issues as transportation and infrastructure.

While many reports indicated that Roem became the first transgender individual to win a seat in a state legislature anywhere in the country, some fact-checking has proved that to be untrue. 

Althea Garrison was elected to the Massachusetts House of Representatives as a Republican in 1992. But she did not openly identify herself in public as a trans woman. Her gender identity was outed to the public by a story in the conservative Boston Herald. The reporter who outed Garrison, Eric Fehrnstrom, would go on to work as a campaign strategist for 2012 Republican presidential nominee Mitt Romney, according to Snopes.com .

“We must remember Althea Garrison, a black transwoman who was the first trans person elected to public office in 1993,” says Ava Pipitone, Executive Director of the Baltimore Transgender Alliance, the organization that is spearheading the upcoming March of Resilience.
At the Women's March in Washington D.C. Photo courtesy of Ava Pipitone

“Out trans folx serving in conservative spaces will have important ripple effects for the trans communities there. And still we do not have to be out to be trans. Visibility is correlated to privilege and safety,” said Pipitone.

Logan Casey, who is transgender and a research associate at the Harvard Opinion Research Program, agrees that the wins are important for transgender visibility.

“With so few transgender people in office, everyone is important,” Casey told the Washington Blade. “And so, there’s one level on which these wins are really important just for trans people and the LGBTQ community generally, saying that we can win elections. We can be out, and be proud and be ourselves and be successful.”

The added visibility and electoral victories are significant, but the reality remains that for many transgender individuals, especially people of color, there is a much higher chance of being a victim of violence, bullying in school, poverty, joblessness, homelessness and drug addiction.  Often, they must live in the shadows and engage in sex work just to survive.  Moreover, the trans community has been under attack by the Trump administration.

November 20 has been set aside as Transgender Day of Remembrance (TDOR) to honor deceased transgender people.  It began in 1998 following the murder of Rita Hester.

“This holiday has served our community as a time to mourn and reflect upon the lives senselessly lost to transphobic violence in the previous year,” the Baltimore Transgender Alliance said in a statement.

“However, the impact of silence is lost on those who already feel voiceless. Our tradition, the Trans March of Resilience, subverts this holiday and serves to celebrate the resilience of life in our community.”
The March gathers at the YNOT lot at the corner of Charles Street and W. North Avenue at 5:30 p.m. and proceeds up the stroll at around 6 p.m. Elders and folx with different levels of ability will join from the Safeway parking lot on 25th  and Charles Streets, as well as from the GLCCB.

The elders will lead the March to its conclusion at 27th and St. Paul Streets. Inside the 2640 Space there will be a rally, which then leads to an evening of dinner and entertainment. The event ends at 9 p.m.

“Join our resistance on Monday the 20th, urges Pipitone.  “We will march for Transgender Resilience followed by dinner and dancing. Join our gender expansive celebration and find sanctuary and community. Build with us in Baltimore!”

For more information, visit the event on Facebook https://www.facebook.com/events/1933171537004796/ or follow the hashtags #bmoretmor #transresilience #transispowerful #transisbeautiful