I have to admit that when I saw Toby’s ad for Rocky that showed the legendary Toby
Orenstein sporting boxing gloves surrounded by two boxing pugilists, I
fantasized that she would climb in the ring during the show and swing away at
an opponent. Alas, that was not the case and lucky for her potential opponent.
But there are enough punches flying around the stage to make you feel you’re at
the Oscars.
Indeed, Rocky, the
musical version of the 1976 Oscar-winning film (Best Picture) with the same
title has made its way to Toby’s Dinner Theatre. The musical iteration of Rocky features a score composed by Stephen
Flaherty with lyrics by Lynn Ahrens. The book was penned by Thomas
Meehan and Sylvester Stallone. The latter wrote the story for himself
as he starred in the mega-hit.
From the outset I was concerned how the intimate
in-the-round theater would do justice to a production that involves many set
pieces and scene changes, not to mention a boxing ring. But as the creative
team at Toby’s does time and time again, they come through with flying colors.
I had the same apprehension about Toby’s putting on such spectacles like In the Heights, Fiddler on the Roof, Grease, Les Miserables, Newsies and a host of others.
Someday I will finally learn that no show is too big for Toby’s.
Under the meticulous direction of Helen Hayes Award
recipients, the aforementioned Ms. Orenstein and Mark Minnick, the production of
Rocky with a talented cast and
excellent staging lands a good punch.
The familiar feel-good story that graced the screen back
when Gerald Ford was president and spawned a zillion sequels centers on local club
fighter and “enforcer” for a loan shark from South Philly, Rocky Balboa, known
as “The Italian Stallion” in the ring. Not that educated and with no apparent
career path in his late twenties, he struggles to find love as well as the
confidence he needs to excel in boxing, the only thing he really knows.
"...the production of Rocky with a talented cast and excellent staging lands a good punch."
Rocky gets a proverbial kick in the rear by a retired and
oft-injured boxer Mikey who hates to see the promising fighter waste his life. In trying to get
a job as a sparring partner for Apollo Creed, the reigning heavyweight
champion, Rocky receives an unbelievably lucky break when a boxing promoter
convinces him to actually fight the champion and would stand to earn 150,000
smackeroos, win or lose. That’s about $750,000 in today’s money.
Initially, Rocky had doubts about it despite his winning against record against lesser opponents at the club. But enters Mikey who convinces
him that through intense training he can be successful instead of being KO’d in the first minute of the first round.
So, Rocky trains hard, real hard. As a huge
underdog, he winds up fighting Apollo Creed for the heavyweight championship,
gets national attention in the process and finally achieves the confidence
level he never had.
Rocky also finds his love along the way. Smitten with a pet
shop saleswoman, Adrian, who sold him his two pet turtles, Rocky pursues her
relentlessly on the encouragement of her mean brother Paulie. Shy and meek and
also lacking in confidence, Adrian eventually falls for the diamond-in-the-rough.
Given the fact the Flaherty-Ahrens team wrote Ragtime and Once on This Island and Seussical
winning multiple Tony and Grammy awards, I had expected more from them. The
melodies of most of the songs are not memorable but the lyrics helped bring the
story along. Nonetheless, there were pieces of “Gonna Fly
Now” sprinkled around and “Eye Of The Tiger” during the Training Montage—both from
the Rocky film to lend familiarity.
The songs were performed competently by the leads and
ensemble, however, which matters most. They were well-supported by conductor
Ross Scott Rawlings and his five-piece orchestra. Nathan Scavilla leads the
orchestra on other performances.
Making his Toby’s debut, Clarksville’s own Patrick Gover is
stellar as he is called on to carry much of the show on his broad shoulders while
maintaining a commanding presence on the stage. Possessing rugged handsomeness
and a well-trained physique, Mr. Gover plays the Fonz-like Stallone role to a
tee.
Rocky’s thick Philly steak sub accent must be maintained
throughout, and Mr. Gover delivers. He often approaches the edge but does not
truly go over the top with his dialect. “Yo, Adrian,” you hear a lot.
Mr. Gover whose singing voice is as muscular as his frame, is quite adroit
in maintaining that accent even while he belts out songs. His rendition of “Fight
From The Heart” is one of his best where he demonstrates his ability to hold a long
note. He also excels in “Keep On Standing.” Remember, Stallone never had to
sing.
Mr. Gover as an actor is convincing in unearthing a soft
spot from under his tough exterior. Oozing with charisma and possessing a ton of charm, you can't help but root for him.
His scenes with Adrian, played by Lydia
Gifford who is also making her Toby’s debut, are tender and they both
demonstrate solid onstage chemistry.
But it is a physical role and a demanding one at that. During Rocky’s training sequences, the obviously fit Mr. Gover must jog around
the stage, sprint across the stage and back, run up the iconic stairs at the
Philadelphia Museum of Art (talk about a set piece!), do a series of pull-ups,
take whacks at various punching bags and a hanging side of beef, down three raw
eggs and then box in the climactic action-packed 15-round bout. Whew! Mr. Gover
pulls it all off like a true champion.
For her part, Ms. Gifford conveys the low-keyed Adrian well.
However, when there are such disparate personalities, such as Rocky and Adrian
performing opposite one another, duets can be a challenge. “The Flip Side” and “Happiness”
come to mind as songs where Mr. Gover’s big voice tends to overpower Ms.
Gifford’s in spots. She performs a lovely solo in the moving number “I’m Done.”
The always reliable Robert Biederman takes on the Burgess Meredith
role of Mikey from the film version complete with stocking cap. He demonstrates
his sincerity in pushing Rocky to reach new heights and helps train him for the
big fight. Mr. Biederman performs well in his solo “In The Ring.”
Adam Grabau convincingly portrays Paulie Pennino, Adrian’s
mean, often drunk brother. While he originally pushed Rocky hard to pursue
Adrian, he later regretted it but eventually came around full circle. Mr.
Grabau does a fine job in this rather complex role.
As Apollo Creed, Gerald Jordan is also on the mark. He takes
the ring with flamboyance and fanfare following the introductions and executes
the boxing sequences with Rocky flawlessly.
Other members of the talented cast contribute to this
excellent production. They include Justin Calhoun who also serves as the fight
choreographer, Ryan Sellers, Shane Lowry who is the referee in the main bout,
the fight promoter David Bosley-Reynolds, the loan shark Shawn Kettering, TV
announcer Jeffrey Shankle, Simone Brown, Janine Sunday, Kalen Robinson,
MaryKate Brouillet, David James, Ryan Holmes, Anwar Thomas and Crystal Freeman.
A big round of applause goes to the creative team for the
climactic title match. Using a portable boxing ring, the fight choreography by
Justin Calhoun and the fight training by Title Boxing Club of Columbia, the
battle between Rocky and Apollo comes off as authentic as can be. Both Mr.
Gover and Mr. Jordan bobbed and weaved, ducked and punched in the ring
realistically. They even drew “blood.”
Various methods are used to augment the scene, such as lighting
blackouts to denote rounds not shown and slo-mo effects to focus on the blows landed.
Other techniques throughout the production are also meritorious.
For example, hand-held cameras are employed during interviews and the fight
introductions with images reflected on monitors on the walls around the
theater.
Credit David A. Hopkins for the imaginative scenic design, Lynn Joslin
for the effective lighting design, Janine Sunday for the costumes especially
the boxing garb, and Mark Smedley for his sound design that uses an echo effect
from a hand mic to portray the introductions on a PA system. Well done, all.
It’s difficult to buy tickets to a championship title bout,
let alone ringside seats. But at Toby’s the entire audience has ringside seats
at a tiny fraction of the cost. And a delicious buffet is added on for more
enjoyment.
Yo, come to this one and enjoy a round or two of the drink
special, “The Italian Stallion” and 15 rounds of pure fun.
Running time. Two hours and 30 minutes with an intermission.
Rocky punches
through June 5 at Toby’s Dinner Theatre, 5900 Symphony Woods Road, Columbia, MD
21044. Tickets may be purchased by
calling the Box Office 410-730-8311 or visiting here as well
as Ticketmaster.
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Photos: Jeri Tidwell Photography